The “5” Royales
Inducted into the Rock & Roll Hall of Fame in 2015, this homegrown R&B quintet helped shape the sound of early rock and soul, inspiring legends like James Brown and Eric Clapton. Originally the gospel group Royal Sons, they transitioned to R&B, scoring No. 1 hits in 1953 with “Help Me Somebody” and “Baby Don’t Do It.” Their song “Think” became a James Brown staple, while “Dedicated to the One I Love” gained fame through The Shirelles and The Mamas & the Papas.


The "5" Royales Biography
by Richie Unterberger /ALLMusic

Active: 1950s - 1960s
Formed: 1952 in Winston-Salem, NC
Disbanded: 1965
Genre: R&B, Blues
Styles: Early R&B, Jump Blues, Doo Wop
Also Known As: The "5" Royales
Group Members: Eugene "Gene" Tanner, Jimmy Moore, John Tanner, Lowman Pauling, Obediah Carter, Otto "Jeff" Jeffries

The "5" Royales were a relatively unheralded, but significant, link between early R&B and early soul in their combination of doo wop, jump blues, and gospel styles. Their commercial success was relatively modest -- they had seven Top Ten R&B hits in the 1950s, most recorded in the span of little over a year between late 1952 and late 1953. A few of their singles would prove extremely popular in cover versions by other artists, though -- James Brown and Aretha Franklin tore it up with "Think," Ray Charles covered "Tell the Truth," and the Shirelles (and later the Mamas & the Papas) had pop success with "Dedicated to the One I Love." Almost all of their material was written by guitarist Lowman Pauling, who influenced Steve Cropper with his biting and bluesy guitar lines, which at their most ferocious almost sound like a precursor to blues-rock.

Pauling's guitar is pretty muted on their early sides, though, which sometimes walk the line between gospel and R&B. The gospel elements aren't surprising, given that the Royales were originally known as the Royal Sons Quintet when they formed in Winston-Salem, N.C. In fact, they were still known as the Royal Sons Quintet when they began recording for Apollo in the early '50s, although they had six members. They would change their name to the "5" Royales in 1952, although they would, confusingly, remain a six-man outfit for a while; the quotes around the 5 in their billing were designed to alleviate some of the confusion. The Apollo singles "Baby Don't Do It" and "Help Me Somebody" made number one on the R&B charts in 1953, and they had a few other hits for Apollo before being lured away to King Records in 1954.

Although the group would remain on King for the rest of the 1950s, they would only enter the R&B Top Ten two more times, with "Think" and "Tears of Joy" (both in 1957). Their later sides, however, are their best, as Pauling became much more assertive on the guitar, dashing off some piercing and fluid solos. Some of these solos are among the heaviest and wildest in '50s rock, on both relatively well-known cuts like "Think," and virtually unknown numbers like "The Slummer the Slum." Greil Marcus once wrote something to the effect that a young Eric Clapton would have once paid to hold Pauling's coat. They remained primarily a harmony vocal group, though, and if their late-'50s sides are considerably more modernized than their early Apollo hits, they're still a lot closer to doo wop than soul.

Even when their records weren't selling, the "5" Royales were a popular touring band. Their constant activity at King Records, in all likelihood, had some influence on the young James Brown, then starting his career on the same label; one of Brown's first big R&B hits was a frenetic cover of "Think." They couldn't sustain themselves without more hits, though. After leaving King and recording some more sides in the early '60s, they finally broke up by 1965.

Though various combinations of musicians would tour under the group's name into the 1970s. For a time Pauling continued recording with pianist and frequent Royales collaborator Royal Abbitt as El Pauling and the Royalton. Pauling's brother, Clarence Paul, a former member of the Royal Sons Quintet, found success as a producer and songwriter at Motown Records in the 1960s. Most of the group's members survived well into the 1990s, but not Pauling. After years of struggle with alcohol dependency, he ended up working as a night watchman at a Manhattan church and died of an apparent seizure on December 26, 1973.